Tuesday 4 August 2015

Bases 2015

The Bases Project was founded by Miles Johnston twenty-one years ago to investigate the claims of several individuals who came forward to say they had been involved with a secret military base which they say lies deep underground beneath the village of Peasemore in Berkshire. These claims are deeply disconcerting; activities on the facility are alleged to include kidnapping and extrajudicial imprisonment, illegal human experimentation, genetic engineering, mind control and covert research into UFO's and extraterrestrial life, see: https://thebasesproject.org/ and: https://www.youtube.com/user/megawatts1066. I've investigated Peasemore myself, see: http://hpanwo-tv.blogspot.co.uk/2013/10/peasemore.html. Since then Miles has carried out a large number of interviews and investigations and has produced films he calls the Bases series. The Bases Project, previously when amalgamated with AMMACH, has also hosted a number of public events, see background links below, but the most recent one was by far the most ambitious.

The Bases Project Film Festival and 2nd International Conference 2015 was a three day event held from Friday July the 31st to Sunday August the 1st. It brought in speakers from as far away as Germany and the United States of America, and delegates from locales such as the Netherlands and Switzerland. One man travelled overnight by coach from Oban, Scotland just to be there for the final afternoon session. My good friend Colin gave me a lift from Oxford; he lives in London and therefore I'm about half way there so he often picks me up when we're both attending events in the West Country. He had with him in the car Dr Robert Duncan whom he had to meet at the airport. Dr Duncan had just arrived after a long journey by air from Idaho USA and so was completely doped up with jet lag; he slept in his seat for most of the drive to Wiltshire. I was delighted at the prospect of the upcoming conference. As regular HPANWO readers will know, I never travel abroad and take few domestic holidays, but the UFO/conspiracy/paranormal conference circuit is my equivalent of that. This is despite the fact that they are often working breaks. At the last Bases event I was a speaker, see: http://hpanwo-voice.blogspot.co.uk/2015/06/bases-at-woodborough-ben-emlyn-jones.html. This time I was a judge in the Film Festival... as it turned out this was to be just the start of my involvement. The venue for this year's event was again a school, but a very different one to last year's traditional elite Illuminati induction centre with its esoteric ancient mound topped by a tank of polluted water. This time we were in the modern atrium of St John's International Academy, see: http://www.stjohns.wilts.sch.uk/. It was empty of pupils at this time of year. The conference was to be held in the theatre which had steep rows of folding seats like a lecture theatre, but it had a standard raised stage. As we arrived, Matthew Williams was exactly where I expected to see him, in the makeshift gallery at the front setting up his film and audio equipment. Miles Johnston was stomping around in Bermuda shorts and a tweed jacket with his face flushed and his white hair standing out like a lion's mane. "Where's the feckin' Blu-Ray remote!?" he bellowed in his Ulster brogue. "I left the fecker right here a minute ago on top of the feckin' projector for feck's sake!" Then the sweet anticipation I'd been feeling was satisfied as one old friend after another turned up and we had a happy reunion. The first speaker was David Hodrien (http://bufog.blogspot.co.uk/). The main conference wasn't due to start till Saturday, but Friday was the only day he was free so he was slipped into the schedule before the film festival. Dave gave a fascinating lecture about how music has been influenced by the UFO phenomenon. On my HPANWO Radio shows I sometimes play the 1947 song When you see those Flying Saucers, by the Buchanan Brothers, for example see: http://hpanwo-radio.blogspot.co.uk/2015/05/programme-136-podcast-roswell-slides.html, and according to Dave it's the first ever certified UFO song. However it was by no means the last and many established artists have written pieces of music inspired by UFO's and alien contact; including David Bowie, Jimi Hendrix and Bruce Dickinson. There are also some bands with a dedicated UFO theme like Element 115 and C.E.IV, whom I've seen playing live at the Weird 11 conference in Swindon. Many musicians have had encounters too, including some household names like John Lennon, see: https://www.youtube.com/watch?v=f9PgRl9ohA0. There's also a story told by Vernon Presley, father of the "King of Rock and Roll" Elvis Presley, that there was a UFO flying above the house when his son was born. There's a tragic element to this story because Elvis had a twin who was stillborn. He expressed grief for his lost brother his whole life and had a shrine built for him at Graceland. It's possible that his feelings contributed to his eventual nervous breakdown and premature death, see: http://hpanwo-voice.blogspot.co.uk/2015/02/is-elvis-alive.html. But is it possible there was a "walk-in" situation here, or attempt at one. Sometimes babies initially diagnosed as stillborn emerge alive and occasionally extraterrestrial influence could be the cause of this happy eventuality, as with Jason Andrews, see: http://5thworld.com/Jason/.
The Bases Project Film Festival was originally due to happen on a different date, but I think it was a good idea to have it consecutively with the main conference. The films began soon after David Hodrien's speech and I settled down with my notebook to watch them. Some of them are available free on YouTube, but I decided it wouldn't be fair to preview any of them unless I could do so for all of them. There were many entries out of which Miles selected ten nominations. The Dutch artist Mirjam Janse designed four beautiful trophies, three of which to give to the award winners, see above. The three categories were amateur, semi-professional and professional. The following is based on notes I made while watching the films. These are running observations based on a single viewing; I sometimes change my mind about a film after I've seen it more than once:
Beyond Apathy. Duration 5 mins 34 secs. Category: amateur. Dir. Anna Bragga.
A short film about the plans to introduce fluoridated drinking water into Bedfordshire. Serves as a good introduction to the dangers of fluoride. Will hopefully encourage viewers to find more details for themselves. Consists mostly of interviews with activists. (https://www.youtube.com/watch?v=Ulrl8mYvwJM)
Voice from the Gasfields. Duration 1 hr 1 min. Category: semi-pro. Dir. Ian R Crane.
Ian is a personal friend of mine, but I didn't let this prejudice me. Covers the resistance to fracking in Great Britain and Australia. Sadly Australia is well advanced of the rest of the world and there's a warning that we must learn from the Australians' mistakes or we'll go the same way. Subtitle It started with just One Well indicates that. Good use of music and graphics. Ian has shot hundreds of lecture recordings, but this is his first feature film and that requires different skills. Good first effort. It was moving to hear about how the ordinary folk living in the Queensland forests have had their lives ruined by fracking. (https://www.youtube.com/watch?v=V3K0kV7UcME)
22 The Light Codes. Duration 34 mins 30 secs. Category: semi-pro. Dir. Jergen van Meeteren.
This was an animation. No narrative and was purely abstract. Featured beautiful graphics and was very dreamlike and hypnotic. Even psychedelic. Its imagery included fractals, crop circle-like patterns and mandalas. (http://www.earth-matters.nl/26/11286/spiritualiteit/the-light-codes.html)
Daisy Wheel Toruscope. Duration 7 mins. Category: amateur. Dir. Joanne Gray.
Another animation, much simpler this time. Has a lovely score; especially the opening piano solo. Illustration of a new discovery about how sacred geometry connects to the calendar, the hours of the day, astrology and astronomy. Even life cycles and plant seed growth. (https://www.youtube.com/watch?v=ozkYpO4vjbs)
Fight for Justice. Duration 5 mins. Category: amateur. Dir. John Walson.
Another good summary and introduction like Beyond Apathy. It's about a personal ordeal at the hands of organized child abuse by the state and religious institutions. Very disturbing, but dignified. Stylistically it resembles a movie trailer for a longer film. (https://www.youtube.com/watch?v=CIsPxt9zwS4)
Street Eyes. Duration 1 hr 15 mins. Category: pro. Dir. Ollie Marshall.
A fictional feature film. This covers a lot of important concepts rarely seen in Hollywood like Reptilians, demonic and angelic possession, indigo children, black-eyed humanoids, Area 51, zombies, men-in-black etc. The final scene is about the extraterrestrial abduction of unborn babies and was very disturbing. The narrative was slow-moving and tedious with some inept and botched attempts at humour. Acting and characterization were rather poor, but the actress who played Natalie wasn't bad. Technically it was very good. Well-composed score and sound effects, highly atmospheric. Excellent lighting and makeup. Some original and neat stylistic devices like designer crackling and lines on the screen. The ending was truncated, a bit anticlimactic. Could make room for a sequel? One of the minor characters was played by Stephen Bassett! (http://www.marshallfilm.com/)
Rush, Duration 1 hr. Category: semi-pro. Dir. Jane Clements.
Award winning film already, screened and Monaco and Cannes. All about the remarkable case of the "Fire Burn Doctor". Includes detailed testimonials of many people instantly cured of burns by the helpline. Interviews with Dr Philip Savage, the founder of the service. Amazing idea, but not enough info. Could have been longer and gone into more detail. Hope to see a sequel. (http://www.fireburndoctor.com/home)
Walk in Case. Duration 18 mins 29 secs. Category: amateur. Dir. Sandra Daroy.
Fiction. Tackles a lot of vital issues like the Djinn and implants. Mentions the late Dr Rauni Kilde. Very good score. Chilling scenes in the psychiatrist's office. The pub scenes were filled with background noise so the dialogue was hard to hear, but maybe that was the venue's audio. Was one of the characters based on Miles Johnston? (https://www.youtube.com/watch?v=7SicHiQAcXw)
Mind the Matrix. Duration 2 hr 14 mins. Category: pro. Dir. Christianne van Wijk.
Introduces various conspiratorial elements like GMO foods, vaccines, fracking etc. What's more the "Matrix" continues beyond death in a cycle of birth and rebirth. Interviews with Ian R Crane, Max Igan, Vinny Eastwood. Effective sinister score and sound effects. Resembles Voices from the Gasfields in style. Some of the scenes include different lighting effects within them. (https://www.youtube.com/watch?v=Z30QqiA9s8U)
The Lake Drain. Duration 1 hr 23 mins. Category: pro. Dir. Jerry Griffin.
Another fictional feature film. Like Street Eyes it covers some vital esoteric subjects, including the hazards of CERN and the Large Hadron Collider. Features scenes that might be distortions of spacetime. Parodies of hillbillies. Very strange and offbeat. Surreal in both style and content. There's some humour, but is it intentional? A segment on deep underground military bases and an interview with the real Richard Sauder. The plot was hard to follow. I suspect the score and sound effects were all from a free music library. There are some weird sound effects inserted at odd moments, animal calls, helicopters and thunder claps. Spooky and a bit frightening in places. Intriguing movie. (https://www.youtube.com/user/PerformanceGallery/featured)
In the amateur category Fight for Justice won with Beyond Apathy as a runner up.
In the semi-professional category 22 The Light Codes won with Voices from the Gasfields as a runner up.
In the professional category Mind the Matrix won with Street Eyes as a runner up.
The viewing session was very long because we had short breaks between the screenings and in the end it even overlapped to the following day. Afterwards I got together with the other judges to make our decision. I know it's a bit of a cliché, but I mean it when I say standards were very high at this festival. I can honestly state, I did not dislike any of the films nominated and would happily watch any of them again. None of the films received no votes at all. The award ceremony was hosted by the woman I call "Jenny" in this article: http://hpanwo.blogspot.co.uk/2014/10/probe-autumn-2014.html. She is now a regular at alternative events and we've become firm friends. The award ceremony was filmed and during it she appears and partly reveals her identity, but I don't know yet whether this footage will be published so I will not. As I say in the link, she is a fairly famous media personality, and we all know what happens career-wise to people like that who stray from the directed conformist norm.
The conference suffered from a number of setbacks. Along with missing remote controls there were a few more technical hiccups, yet Matthew and Miles recovered from most of them and the show went on as it must. However when the main conference began on Saturday we were without a master-of-ceremonies. Danielle la Verité (see here for more details: http://hpanwo-radio.blogspot.co.uk/2015/05/programme-137-podcast-danielle-la-verite.html) had originally been booked but she had not turned up. It is no secret that Danielle suffers from agoraphobia, a psychological disorder that means she feels very uncomfortable leaving home. I approached Miles and offered to step into her place seeing I have experience of being an MC, see: http://hpanwo-voice.blogspot.co.uk/2014/12/mike-clelland-at-exopol-comms.html, and he agreed. I had some smart clothes in my bag and so got them out and ironed them. I had not put this set on for a few years as I'm not habitually a formal dresser, and to my frustration I found that they'd shrunk... I hope that's it anyway; the alternative is that I've grown! The trousers were completely indecent, but the shirt just went round me. However it left a draught gap at my midriff and constricted my throat a bit. So I wore that with my normal trousers and hoped I didn't look too silly. I also kept a hat on my head because photos and film of me without headgear tend to white out my scalp on camera, a bit like the snooker player Willie Thorne. My hat was white and therefore equally reflective, but I look less ridiculous with a hat whited out. Matthew said next time he'll give me some makeup! I wished Danielle a speedy and complete recovery and then took to the stage. Because of my MC duties I was not able to take notes of the speakers' talks so my reviews below will have to be brief. The first speaker was Daganac'h (http://www.ascendedavalon.com/#!daganach/c1enr) a beautiful Norwegian lady. She describes herself as an embodiment of the divine feminine and somebody dedicated to helping humanity return to divine natural law and order. I had got to know Daganac'h quite well because we were both staying at the home of a mutual friend. She is very likeable and friendly. We helped cook a dinner together after we arrived on Thursday night. She was originally an air hostess with SAS airlines, but had a spiritual awakening which changed her life. I'm glad to say that she is opposed to conventional secular feminism because I'm also a very harsh critic of it, see: http://hpanwo-voice.blogspot.co.uk/2015/04/anti-feminist-women-banned.html. As far as she's concerned, liberating women is about creating a spiritual balance and not just supplanting male domination with its female antithesis. Simon Miles (http://www.biblewheel.com/GR/GR_Database.php) gave a talk that might make you reconsider if you've decided that you've got crop circles sussed, whatever your personal conclusion. Simon has found that there are symbols encoded into more than one crop circle that appeared in the same area over a period of many years. These include a menorah, a ritual Jewish candlestick with seven heads, the famous "pi" crop circle and a strange decoding of the Bible called "the Bible Wheel". As you can see in the link above, the author Simon draws on has renounced his previous discoveries; would Simon's work make him think again? Unfortunately I had to swap hats during the next session and become a film judge again, so I missed most of the talk by Dr Emma Therese-Lewis (http://www.emmathereselewis.com/Introduction.html) which is a shame because she looks really interesting. Once I'd introduced her I just popped back in to call her to time and give her an outro. She's an academic and clinical psychologist who runs a private practice locally, so in the West Country perhaps that's not really mainstream and career-threatening. She was running one of the workshops at the event. Maria Wheatley (http://www.theaveburyexperience.co.uk/) was another speaker whose talk I had to miss in part. She lectured with her usual passion and eloquence about the ancient megalithic sites and her research into them. Interestingly, a bit of history here, I once met Maria a very long time ago in 199-something, long before I started HPANWO, when I went on a dowsing course at the Rollright Stones, Oxfordshire. I'd been invited along by a New Age pseudo-friend. She was accompanied then by her late father who shared her interests and skills. Harald Kautz-Vella (https://www.youtube.com/watch?v=HtAQdxowpYA) came all the way from Germany for a second visit in just a few weeks; he had shared the stage with me at the Woodborough event, see: https://www.youtube.com/watch?v=j88BcgzzcTc. He is a prolific author and covers a wide variety of interconnecting subjects from social engineering, cultural Marxism and mind control to chemtrails, the black goo and transhumanism. He believes our "bio-field" has been moved from non-linear empathic forms to binary, egotistical and left-brain centred forms, deliberately. Then after a tea break came the first in a double bill with our keynote speaker Dr Robert Duncan (http://projectsoulcatcher.blogspot.co.uk/), now with his circadian rhythm adjusted to British Summer Time. His speciality is transhumanism, the creation of cyborgs and how it relates to mind control. His research ties in well with Harald Kautz-Vella's although he is far less radical. In fact Harald and Dr Duncan had a long and very jargon-dense debate about mad cow disease during the Q and A's on both days. I asked him a question myself because he seemed to be giving out two different messages about transhumanism. During his two addresses he gave us multiple reasons to be concerned about how such high technology could be abused, but then went on to say how positive it was. How can such a subject be in any way positive without a social revolution beyond anything we can imagine? Max Igan puts it very pithily in his film about transhumanism; how much can we be transhumanized without losing our humanity? Especially when we have an elite which has none. The vision the ruling class might have for a cyborg future is likely to be very different to that of naive fools like Ray Kurzweil, see here for more details: http://hpanwo-voice.blogspot.co.uk/2013/09/bases-project-live-in-london.html. Saturday ended very late because the first speaker on Sunday, Dollie Indigostar (https://instagram.com/dolliepops1/) had to be shifted forward to Saturday at short notice. Dollie was certainly the most charismatic speaker. She is a very diminutive woman whose head barely comes above my waist but she is packed with energy. She glided up and down the stage in flowing movements wearing Gypsy pantaloons and lots of unusual jewellery. She talked about indigo children, whom we've all heard of, but also "golden", "crystal" and "rainbow" children. These are all "starseeds", humans with extraterrestrial souls, who are intended to bring healing and spiritual enlightenment to the world. This ties in eerily with David Hodrien's talk where he mentioned Elvis.
After the day's proceedings were over I shed my shirt and tie with relief. Colin and I headed for Knap Hill to watch the sunset and skywatch as we have before, see the links to my coverage of previous Bases events. The sun was shining although heavy cloud was rolling in. We didn't see any UFO's but did wonder at the glory of the full moon rising, tinted blood red by atmospheric filtering. I heard the voice of Douglas Adams, creator of Hitchhikers' Guide to the Galaxy, echoing in my head: "Isn't it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?" I don't agree with Adams at all, in fact I think his point is pretty meaningless. I fantasize replying to him: "Is it necessary to disbelieve that there are fairies at the bottom of it in order to appreciate the garden's physical beauty?" I haven't paid Dr Steven Greer his five thousand dollars and so don't know the CE5 protocols, but I played a recording of David Griffin being interviewed on my mobile phone. However the UFO's did not flock to the sound of a familiar voice. While we were on Knap Hill, Colin and I filmed a "fast blast" video for Facebook, see: https://www.facebook.com/colin.woolford.3/videos/10204491616828533/.

The Bases conferences 2015 have taken place in a period of controversy for the organization. After the initial investigation of Barry King's claims related to the Peasemore base another man came forward professing knowledge, James Casbolt aka Michael Prince. He has just been sentenced to twelve years in prison for blackmailing and threatening his ex-wife and her family, and for stalking other women, see: http://www.cornishman.co.uk/Jail-St-Ives-dad-James-Casbolt-2m-blackmail/story-27499915-detail/story.html. I first met James Casbolt back in 2006 at the Probe conferences. Interestingly he had a girlfriend with him in those days, a blonde American called Haley, although according to the newspaper link the couple met four years later. Was this a different girl? How did a rich heiress like Haley Meijer end up marrying such an unlikely man? What's more his fast-tracked American citizenship papers and enlistment in the US armed forces seems unusually easy. A lot related to this story doesn't add up. Not least because of James' extraordinary personality change. Believe it or not, he used to be a cheery, happy-go-lucky character yet when I bumped into him again at last year's Bases at the Barge, see: https://www.youtube.com/watch?v=gKHBqlzz95U and background links above, he was transformed. He was cagey and dour. He seemed almost embarrassed to meet me. On stage he was very aphasic and evasive. Then I began hearing from some of my female friends that he had been harassing women online. It was inevitable that this subject would be tabled during proceedings at the conference. Another piece of news that emerged during the conference was that "Rowdy" Roddy Piper has died. The Scottish-Canadian wrestler turned actor is well known in the Conspirasphere for playing the lead in John Carpenter's incredibly meaningful film They Live, see: http://www.bbc.co.uk/news/world-us-canada-33745636. I gave a few quotes from the movie from the movie on stage as a tribute to him.
Mirjam Janse (http://www.mirjamjanse.com/) opened the day's activities. She ad-libbed an uplifting and interesting lecture about healing, crop circles and aliens; and how they relate to our own bodies and souls. Mirjam also had a workshop running in one of the adjoining rooms. She is... if you were paying attention... the artist who designed the Film Festival trophies. Then came David Shayler (https://www.scribd.com/david_shayler) a former British intelligence officer who bravely spoke out against corruption and murder by the UK government. Hopefully this will serve as an example for other agents to follow. He talked about the law and how the UK judiciary is an unlawful institution that has stripped us of our constitutional rights under English common law. He also talked about the wonders of hemp and its predicted suppression. See here for a HPANWO Radio interview with Shayler: http://hpanwo-radio.blogspot.co.uk/2012/10/programme-19-podcast-david-shayler.html. Graham Harvey (http://grahamsquest.co.uk/) gave one of the best talks of the event. His subject is one I am fascinated by and consider one of the most important in the world: farming; because if we have no food nothing else matters. He explains how modern agriculture could be made so much less harmful if it went back to a "mixed" system of arable and livestock together rotated around different fields. Instead we have factory farms producing monoculture produce, toxic chemicals and genetically modified crops on the land. He didn't mention "terra preta", but off stage he and I talked about it, see: http://hpanwo.blogspot.co.uk/2008/06/terra-preta.html. Next we had an extended presentation by a couple, Max Spiers and Sarah Adams (https://www.youtube.com/watch?v=AIJrSQ6-9jk). They spoke both together in dialogue and as individuals about many subjects. They gave a bit of their own back story about their own unpleasant relationship with James Casbolt. Max has been involved with elite mind control projects while Sarah has had a spiritual awakening that has helped her deal with the troubles she's had in her life. Max and Sarah are a sweet couple who are very manifestly in love and who both have a vision for a better world.

When I gave my final address as MC, I warned the delegates about what was to come at the end of the conference. As I've said many times before, for example here: http://hpanwo.blogspot.co.uk/2014/10/probe-autumn-2014.html, the end of a good UFO/conspiracy/paranormal conference can be a surprisingly unsettling and gloomy affair. The closure of the event is very abrupt. Once we've had all the thank you's and goodbye's the lights go on, people get up from their seats and leave the theatre to begin their journey back to the normal world. After a weekend of being around people who understand and appreciate us for who we are, we all have to go back to our private isolated bubbles where everybody around us thinks we're crazy. It's difficult to describe to an outsider the camaraderie of the UFO/conspiracy/paranormal conference circuit. Events like those organized by Bases are very intense. The emotion, atmosphere and surroundings can be deeply intoxicating. A few of us hung around in the auditorium while Miles and Matthew hastily tidied up their equipment while Roger and Rosemary on reception did the same. I found myself feeling almost angry with these friends of mine, not because I dislike them; on the contrary, it's because I love them so dearly. I was angry because being separated from them made me feel the way it did. Angry that the conference couldn't just carry on indefinitely and we could just stay together. Some of them talked about heading down to the pub for a drink before going home, but I just wanted to get the painful parting over with and set a course for Oxford right away. In the end Jenny persuaded Colin and me to go to the pub. Once I was there I was glad I'd come and my spirits lifted a bit. The others were staying for a big organized dinner, but not me and Colin. We said a heartfelt goodbye to Jenny and left Marlborough. We were accompanied on the drive home by a jolly and talkative man whom I'll call "Tom" (not his real name). He lives in Kidlington, just outside Oxford, so he is one person on the scene I can stay in touch with locally. He wasn't going straight home though; we dropped him off at a lovely pub called the Gardeners Arms, one I used to go in regularly, where he was taking part in a pub quiz. He was very enthusiastic about us joining him for a "swift half" before leaving. However as I stood in the pub full of people hunched over their quiz sheets talking loudly I felt my surroundings closing in on me. I hinted to Colin that I wanted to get out of there right away. Tom meant no harm and I don't blame him; it was just the mental state I was in. I may be a big tough ugly ex-hospital porter, but I'm not invulnerable; I have my limits. Thank you very much to Miles, Matthew, Roger and Rosemary, and everybody else who made the Bases Project Film Festival and 2nd International Bases Conference 2015 happen. That includes all the speakers and delegates. I enjoyed every minute of it. The good news is that in a few weeks it's the Warminster 50 event, see: http://www.warminster2015.uk/ and a lot of the people at Bases are also going there, so we'll meet again very soon. Watch the HPANWO space for a report on that.

Friday 3 April 2015

Richplanet 2015 Tour

Richard D Hall is a solo maverick in the truth movement. He is fiercely independent and the only events he ever organizes are his own. I've been to his live shows before, for example see: http://hpanwo-voice.blogspot.co.uk/2014/08/richplanet-live-in-london.html. (See links column for Richard's website). I'd heard some reports from others who'd attended his shows in the previous few days, but I knew that his format could change at the last minute. His work is based around current affairs so you never know what you're going to get untill you're literally sitting in front of him. The 2015 Richplanet Tour is subtitled "as NOT seen on TV" which is appropriate because Richard has had no end of trouble from the television network related to his programme; they forbid him from broadcasting all his best material and a few months ago they banned him because of his episode with Nick Kollerstrom about the Woolwich incident, see: http://hpanwo-voice.blogspot.co.uk/2014/08/chris-spivey-arrest-whos-next.html. Showcase TV are not as "controversial" as they profess. It costs Richard £600 to buy the airtime and he wonders "Is it worth it?" The good news is that all his shows are available, completely uncensored, on his website viewer, see link above. Ustane and I were familiar with the venue, as we trudged up towards it we recalled the 2013 AMMACH conference which was held there, see: http://hpanwo.blogspot.co.uk/2013/04/ammach-conference-2013.html. Also some years earlier we had seen the late Lloyd Pye give a lecture there. The Belgrave Rooms are the city's Masonic centre and are covered with the Brotherhood's occult symbolism, see: http://hpanwo-tv.blogspot.co.uk/2013/04/ammach-conference-2013-vox-pop.html. However they have the cheapest function suite to hire in Nottingham, which makes it quite understandable that Richard and other would choose to book it. I was keen to pick up Richard's latest DVD releases from his stall; two full-length films. I was delighted to meet up with lots of my old friends; some I knew would be there, with others it was a nice surprise. Some of them had never met Ustane and it was nice to introduce them to her; the social side of these events is equally important as the lecture content itself.
Richard D Hall bounded onto the stage in his trademark dark brown suit to thunderous applause from the audience, some of whom were standing at the sides beside the packed seats. The first part of his talk was entitled: Subversion in the UK, although strictly speaking a large part of this subversion relates to an incident that did not happen in the UK, but in Portugal. It was the subject of one of Richard's new films, the second part of his expose of the Madeleine McCann case, called Buried by Mainstream Media, the True Story of Madeleine McCann- The Phantoms. The film opens with the same music that the first one does. I can't recall who Richard gets to compose his theme tunes, he did tell me once, but they're excellent at their job. Ustane and I find the score very poignant and we've started calling it "Madeleine's Requiem". Madeleine McCann was three years old in May 2007, the time she allegedly disappeared from a holiday villa at an Algarve resort in Portugal. According to her parents they left her sleeping in a bedroom with her brother and sister while they went to a restaurant for a meal just a short walk away. They nipped back to the villa regularly to check on the children and on one of these checks they found that somebody had broken in and abducted Madeleine. There was a huge international media storm and campaigns to "find Maddy now!" which raised millions of pounds. This second part of Richard's investigation provides lots of new information and maybe even some answers. The only evidence of any abduction of Madeleine comes from a few eyewitness accounts which are very dubious in themselves. One of the McCann's friends, Jane Tanner, says that she saw a man carrying a young child in his arms, yet the forensic artist's depictions of the man, whom Richard calls "Tannerman", are very vague; they even look a bit like Richard D Hall himself! What's more Ms Tanner never mentioned him at the time. Strange how one would fail to tell the police about a man seen carrying a child away from the apartment after knowing there's been an abduction of a child there. Three other suspects were seen in the area. In one case a man reported to the police that one of them had attempted to abduct his daughter, yet for some reason he only came forward after Madeleine's "abduction" had been publicized. The footprints of conspiracy lead on to where the body of Brenda Leyland was found in a hotel near Leicester, see: http://hpanwo-voice.blogspot.co.uk/2014/10/mccanns-twitter-troll-found-dead.html. Richard managed to track down a former employee of the McCanns who says that nothing in Jane Tanner's story makes sense. It makes even less sense when Ms Tanner added more and more details to Tannerman's description, some of them, at least, clearly imaginary. The second supposed suspect Richard christened "Sagresman" because he was said to have been seen on the beach near the village of Sagres on Cape St Vincent, about sixteen miles from Praia da Luz where the McCanns and their friends were staying. It's chilly and windy there in April and few people would have been on the beach, yet a father claims that a man tried to kidnap his daughter there in late April, the 27th or 29th (which!?). Yet for some reason this man didn't report it to the police until after Madeleine's disappearance; he also sent the authorities on a wild goose chase across Europe to question a polish holidaymaker and his wife. The father gave his name as Nuno Lourenco and Richard suspects his story is a fantasy invented to support the idea that there was a dangerous paedophile at large in the area who was intent on abducting a young girl; this would make him an accomplice of the McCanns and their friends. Another phantom suspect, "Smithman", crops up from a report in Ireland by the Smith family from Drogehda. They claim to have seen a man walking down to the beach just after Madeleine's disappearance; he was carrying a young girl in his arms and he closely resembled Tannerman. However similar criticisms can be made of their statements that were made of Jane Tanner's. The Smiths didn't report their sighting for thirteen days, even though Madeleine's disappearance had been on the headlines across the world since then. The confusion and incompetence the Portuguese investigation suffered seems to have been the product of a spanner in the works thrown by the English translator Robert Murat; was he a mole working as part of the conspiracy too? He was eventually set up as another suspect, one more red herring to thwart police progress. Despite the disintegration of the Smithman farce, the story was promoted by Scotland Yard and even thrown together into a superficially plausible "new lead" that was included in a special report on Crimewatch UK. The McCann team also propped up Smithman in their personal publications, and it's covered by Kate McCann, Madeleine's mother, in her book. The plot is thickened even more when, unbelievably, a fourth phantom is revealed; he came forward to the police after over three years had passed and claims to be Tannerman. He was a local father carrying his daughter home from a creche. The Scotland Yard Crimewatch photographs of "Crecheman" blur his face so he's not been revealed in his full identity. Luckily Wendy Murphy, a legal expert on crimes against children, has spoken publicly about her doubt. Another is the famous TV crime reporter Shaw Taylor (sadly he's just died). I thought this odd at the time; why was Madeleine McCann's case getting so much publicity when, sadly, children disappearing like this is not unusual; in fact similar events happen literally every day. Richard thinks Madeleine died in the apartment and her parents and their friends disposed of the body, and they are covering up her death. The evidence comes from searches of the scene by sniffer dogs which picked up the smell of blood and dead bodies there. Also the McCanns' stories are full of contradictions and very imprecise information. The McCanns' "charity" is connected to some extremely untrustworthy people including high diplomatic officials, media spin doctors from Tony Blair's government, fifth column psychological mind-controllers and also supposed private investigators with links to fraud, espionage and organized crime. Even the Pope offered his moral support. The question is, did the parents murder Madeleine or did she die of natural causes? If it's the latter then why didn't they just say so? They were on holiday with a group of about seven friends, with children of their own, "the Tapas Seven" as they've been christened, and it looks as though they're involved too. Did one of the friends kill Madeleine? If so why are the parents collaborating with them? If the parents are the culprits then why are these friends collaborating with the McCanns? The entire group of people surrounding the McCanns even tried to frame somebody for kidnapping Madeleine; it's totally "Bob Lazar" as Richard himself would say. Why has Madeleine McCann's supposed kidnapping been made such a cause celebre involving such high profile people, front-page headlines and official institutions? There are no certain answers yet. Richard speculates that it might have something to do with organized child abuse and MI5 involvement in it, like at Kincora Boys Home. Possibly, we know MI5 were involved in that, see: http://hpanwo-voice.blogspot.co.uk/2014/08/mi5-cover-up-kincora.html. The DVD of this film can be purchased here: http://www.richplanet.net/catalog/product_info.php?cPath=1&products_id=256.
Richard D Hall's second new production is called An Independent Investigation into the Cumbria Shootings- Patsy Driver; it is a new viewpoint on one of the worst firearms offences in British history. The official story goes that Derrick Bird, a mild-mannered taxi driver from Rowrah, Cumbria who had been behaving perfectly normally up to that point, suddenly got up one morning in June 2010 and went on a killing spree; he shot dead twelve people and injured eleven others before driving to an isolated rural lane and turning his gun on himself. However, as is often the case, the truth behind the news is more complicated, and it's deliberately hidden by the authorities. It does seem as if Derrick Bird did carry out some of the attacks, but the evidence for the party line, that he was the only killer, simply isn't there. Like Lee Harvey Oswald, Sirhan Sirhan and Mark Chapman, he is a "patsy", somebody manipulated into taking the blame for the secret crimes of others. In fact I think the Derrick Bird incident has remarkable similarities to the Port Arthur shooting in which a young man called Martin Bryant supposedly gunned down people at a tourist cafe in Australia; but the evidence doesn't match, see: http://www.whale.to/b/viallspam.html. In the case of Chapman, who allegedly shot John Lennon, and Sirhan, who is supposed to have killed Robert Kennedy, the patsies were in a trance state and probably under mind control, see: http://hpanwo-voice.blogspot.co.uk/2014/03/bobby-kennedy-two-gunmen.html. The same possibility emerges in the Derrick Bird case, although Channel 4's documentary on the subject was a typical pathetic primetime whitewash. As far as the witnesses to the shootings go, not all of them saw the gunman and of those only a few got a good look at his face. The witness who got the best look at him describes him as somebody who is totally different to Bird in appearance. As with 9/11 and 7/7, the CCTV evidence which has been released to the public, is scant, ambiguous and, so it seems, specifically selected to conceal and mislead. Richard's research is thorough and systematic; he retraces the route supposedly taken by Bird that day and interviews some of the witnesses himself. The region is a close-knit community and many of the residents knew Bird personally; they all say that he was not somebody they would ever suspect of being a mass murderer. There are also discrepancies in their testimonies. The gunman... or gunmen's taxies were Citroen Picassoes, but in some cases it's reported as greyish blue, on other cases maroon. In Whitehaven the killer shot out his left quarterlight, yet in other places the witnesses say that all the car's glass was intact. Some of the CCTV shows a vehicle with a taxi sign on the roof, in others this is absent. Some of the people involved with the victims are very reluctant to speak to the media, and one of them called the police when Richard approached them. The people who live in the inland areas in the later part of Bird's supposed rampage are the most cagey of all and Richard says: "It's like drawing teeth to get them to make a statement after Seascale!". I had a similar reception in Nottingham when making inquiries about Helen Duncan, see: http://hpanwo-tv.blogspot.co.uk/2014/07/helen-duncan-most-dangerous-psychic-in.html. Neil Sanders is featured in the film in a few scenes describing how "Manchurian candidates" can be programmed using the methods developed many years ago during the CIA's MK Ultra project (see here for more information on Neil's work: http://hpanwo-radio.blogspot.co.uk/2012/11/programme-20-podcast-neil-sanders.html). Was Derrick Bird one of these hypnotized assassins? Were other operatives driving different cars used to carry out some of the other killings? Was bird murdered? He might have been shot by somebody else, like Oswald was by Jack Ruby, or programmed to shoot himself. Either way the end result was that there were no suspects to try for murder and the legalities of the case were dealt with by a coroner's inquest. These are much easier to rig than criminal trials. If the official story is true and Derrick Bird was the proverbial "lone nut" then why would he do it? The papers have tabled a whole array of motives, that he was angry over financial issues, even though he had £22,000 in the bank. He also supposedly had woman trouble and issues at work. Also apparently the taxman was after him, even though he was not eligible to pay tax. His first alleged victim was his own twin brother, although there's little evidence to link Bird with the killing; the same goes for his solicitor Kevin Commons. All in all the official story of Derrick Bird makes no more sense than the official story of Madeleine McCann. If something else was going on, and that multiple killers were used along with the mind controlled Bird, then why? If we assume that the government or elite were behind this incident then there is definitely a cast iron motive to kill one of the individuals on Bird's inventory of death: the second victim, Bird's solicitor, Kevin Commons. This is because Commons was attempting to prosecute United Utilities, the company running the local waterworks. The allegation was that the company had mismanaged the nearby reservoirs causing them to overflow into adjoining rivers. This had resulted in massive floods which caused millions of pounds worth of damage and caused many people to lose their homes. A policeman was drowned in the torrent bravely keeping people away from a bridge just before it was destroyed by the deluge. Mr Commons was leading a class action lawsuit against the company; powerful people were in danger of losing millions and even ending up in jail for criminal negligence. Interestingly, two senior executives of the water company resigned around the time of the Derrick Bird shooting and Commons' replacement solicitor was investigated for fraud, perhaps on trumped-up charges. The other eleven victims might have been an attempt to camouflage their real objective by burying it under a pile of shock and horror. The media seemed to react very quickly, suspiciously so. The BBC presented their regional news programme from Whitehaven; which means they must have been planning to do so before the shootings even took place; how is that possible? An Independent Investigation into the Cumbria Shootings- Patsy Driver can be purchased here: http://www.richplanet.net/catalog/product_info.php?cPath=1&products_id=255. The fifth anniversary of the incident is coming up in a couple of months so this film is an opportunity to cut across the propaganda.
Richard has been approached several times by mainstream media and in the London lecture last year (see link above) he explains how he was asked by Plum Pictures to take part in The Great UFO Conspiracy while they were in preproduction. He wisely told them where to go, as did I; the end result has completely vindicated us, see: http://hpanwo-voice.blogspot.co.uk/2015/03/letters-of-complaint.html. However the word has not got round yet because a lady called Jenny Kleeman asked him to take part in a "documentary" she is making about alternative views on the fate of Madeleine McCann... you can guess what Richard said. Then lo and behold, she turns up at the event! Actually she just hung around outside hoping to get a vox populi on Richard's talk (if you ask me I think she fancies him!). Richard talked more about the media, highlighting something I've noticed myself, but not given much thought to. Because newspaper sales are dropping, newspaper stands are found in places they would not have been a few years ago, like supermarkets and department stores. Also more free papers are coming out, most notably Metro, a paper that people can just pick up and read from free racks on busses and trains etc; it makes all its income from its ad pages. Another trick the media use is to create false role-models and Richard asked his viewers to vote on who they thought was the biggest of these. I voted for Russell Brand; I said: "Russell Brand, a man who is being very highly promoted in the mainstream for his supposed anti-establishment views.  Brand used to be a friend of David Icke and knows about the idea that 9/11 was an inside job, but will not say so publicly. David told him: 'Walk the talk or walk away!' and they haven't spoken since. Brand is being led along by his giant ego and his puppet masters feed it to make him do whatever they want him to." Brand is bringing out a film very soon about bankers, but will it be anything other than controlled opposition? Doubt it, but we'll find out; I'll review it. However, Brand was beaten into second place by the man anybody who knows me will have thought I was going to vote for, that smiling Simeon of the small screen, Prof. Brian Cox. I've written about Cox an awful lot, maybe too much, but I stand by what I've been saying; His Royal Coxness is playing a very important and unique role in media mind control and disinformation, see: http://hpanwo-voice.blogspot.co.uk/2013/09/prof-brian-cox-watch-this-space.html. Other nominated media reaction agents include Stephen Fry; he presents a comedy quiz show called QI and it has a very Skeptic-based theme. He recently appeared on Irish TV presenting some rather theologically weak arguments for atheism; and his co-host on QI is none other than Dan Schreiber, presenter of The Great UFO Travesty, see: http://hpanwo-voice.blogspot.co.uk/2015/03/the-great-ufo-conspiracy-review.html. Jeremy Clarkson was also nominated by a few of the voters. Clarkson has been in trouble many times at the BBC, for instance he once described a very dark place as: "dark as Lenny Henry in a cave!" Lenny Henry being a well-known black comedian. That metaphor is completely benign as far as I can see yet there was uproar; black celebrities came on TV to say how disgusted they were and "race relations" groups lambasted him. Clarkson doesn't care and I respect him for that. Interestingly it's in the news at the moment that Clarkson has been sacked from his job at the BBC; therefore somebody with the initials "JC" is being crucified at Easter... you have to credit the Loomies for their sense of humour! I got into a heated argument with somebody over Clarkson because this person I know thinks that anybody who so much as mentions Clarkson has fallen for a simple distraction psy-op; I disagree. I think there is an agenda over Clarkson; but it's not distraction, it's cultural Marxism. Jeremy Clarkson has failed to abide by the political correctness rules of society and therefore he has been pilloried as a warning to the rest of us. Appropriately, Richard then went on to discuss the work of Yuri Besmenov, a former KGB agent and defector from the Soviet Union during the Cold War. He has revealed the psychological warfare tactics used by communist agents who infiltrate and corrupt an enemy state in order to make it become communist itself. What he reveals is deeply chilling because it's exactly what I see in the world today being carried out by cultural Marxist fifth column organizations like Common Purpose, the Fabian Society and the Frankfurt School. These methods include sewing discord and confusion, breaking up relationships and families, and destroying a sense of cultural identity. Things such as feminism, so called "anti-racism" and the abuse of white, straight males are a part of that, see: http://hpanwo-voice.blogspot.co.uk/2014/11/sexist-comet-shirt.html and: http://hpanwo-voice.blogspot.co.uk/2014/03/gay-marriage.html. A lot of people make the mistake of seeing Marxism as an anti-authoritarian idea, a quest for freedom; this is how it presents itself. It's an easy trap to fall into, especially if you're young and naive. I myself was seduced by it for a short period in my late teens when I became an active trade unionist; luckily it was a phase I quickly got over.
Richard talked some more about the media and about how minor issues are blown out of all proportion to cover bigger issues; the MP expenses scandal and phone hacking inquest are examples. The real stories lie underneath. I myself have always said: when a story like that breaks out on page 1, look and see what's on page 15! According to Richard, the globalists probably have their eyes fixed on Malaysia right now. This is because it's predominantly Muslim, it has natural resources and it has recently held a war crimes tribunal against Tony Blair and George W Bush; it also doesn't currently owe any money to the World Bank and has not sold off its gold at discount prices like most other countries. Could this be why Malaysian Airlines have had such bad luck lately, losing two aircraft in the space of a few months? Richard has calculated the odds of that happening by chance and they're staggeringly small. However Skeptics will still say this is "just a coincidence!" And this brings us on to the coincidence fallacy. Nothing physically possible is so unlikely that you can say: "This can NEVER happen!" therefore a Skeptic can use a coincidence call to debunk almost anything. There needs to be a discussion about what "level of likelihood" would become the universally agreed cut-off point between what is to be considered random and what is to be considered intentional, a statistical ceiling. This so far has never been done and therefore coincidence has become something of a trump card for Skeptics, an unfalsifiable wreaking ball that they can drive into any debate, see here for more details: http://hpanwo-voice.blogspot.co.uk/2014/04/pan-pareidolia.html. Richard paused the footage of the Malaysian trial of Blair and Bush and pointed dramatically at the screen where Alfred Webre can be seen on the presiding panel. Actually this is not a scoop by Richard; Alfred has said several times himself how he took part in that war crimes tribunal.
However this was a good segueway into the subject of controlled opposition in the Truth movement. I think it's fair to say that Richard regards much of the rest of the Conspirasphere with suspicion and disdain. Sometimes he is unfair, as I said in my review of the London event, see above. This may be one of the reasons he has remained such a lone wolf. He has never openly made unfounded accusations, but he has implied many times that certain individuals within the UFO/conspiracy/paranormal community are compromised. He is no doubt correct in some cases, but I caution him against being overzealous. I've explained in a recent HPANWO TV production how excessive and hasty shill-shaming can do far more harm than good, see: http://hpanwo-tv.blogspot.co.uk/2015/03/the-shill-squad.html. One of the few people Richard does trust and works closely with is Andrew Johnson who has also suggested several people as possible candidates for cointelpro. A lot of Andrew's frustration comes from a very legitimate and justified gripe: why has the 9/11 Truth movement been so reluctant to accept the definitive research of Dr Judy Wood? In his book Andrew relates how 9/11 Truthers, who themselves have been misrepresented and ridiculed by believers in the official nineteen hijackers story, go on themselves to misrepresent and ridicule Dr Judy Wood and her discoveries when they really should know better, see: https://www.youtube.com/watch?v=W1r65dE8rb4&list=PLvaxr0OSBw2DtOWulcA96d7sG2rsNyOgb. I myself have fallen into conflict over this, see: http://hpanwo-voice.blogspot.co.uk/2013/09/the-911-civil-war.html. Andrew is correct when he says that the "thermitically correct" brigade is a controlled response to 9/11, but I suspect that most of the antagonists he describes in his book are not knowing agents who are purposively corrupting the 9/11 Truth Movement; they have merely come down with a failure of nerve. They are frightened to step outside the norms created by the masters of deception who are running the show. A good example of this is the aforementioned Alfred Webre. Webre was interviewing Leuren Moret one day when he interrupted her and told her not to mention Dr Judy Wood; why? The answer might lie in my own experience with the "stop Kevin Annett!" cult; see the link above to my film The Shill Squad. Did Alfred join those people because he was rationally and politely persuaded? I doubt it; based on their usual conduct I suspect he was bullied and browbeaten into accepting their dogma. If so then this would mean he is not very resilient when targeted by "truth mobs" and there have been some really nasty examples of those truth mobs tying to chivvy and chase people away from Dr Judy Wood. There are other kinds of norms in 9/11 Truth. In the UK the "official" 9/11 Truth Movement is very sensitive about its image; it is affiliated to the Stop the War Coalition... although I suspect that this affiliation is one-way and the StWC doesn't reciprocate. However UK 9/11 Truth portrays itself as very middle class and centre left. It eschews anything it considers too "far out" for their shop window, which is why Dr Judy Wood is so unwelcome. Whenever they even bring up the subject of Dr Judy Wood, or "Judy Wood" as they insist on calling her, their line tends to be more: "but what will people think of us!?" instead of: "She's wrong because..." UKT-9/11 wants to be seen as distinctly separate from the rest of the Conspirasphere, which is why I didn't fit in there. I really must one day write a piece on my own experience of my involvement with them, but my general unspoken feelings were well worded by Joshua Blakeney, a British researcher based in Canada: "Do these people really think that if they just spend enough time wearing suits and voting for the Green Party then eventually The Guardian will agree to investigate 9/11 Truth!?"
At the moment Richard awaits his challenge to engage our Fearless Leader David Cameron is a live public debate... which would be hell of a lot more exciting than the election debates that are on TV at the moment. However his eyes have also turned skywards as questions are coming in about Mars. At the moment there are several spacecraft on Mars, including mobile rovers; however Richard is wondering if these missions are faked and the images we see of the Red Planet are just pictures of remote locations on Earth; this is similar to the notion that the moon landings were faked, see: http://hpanwo-radio.blogspot.co.uk/2014/11/programme-110-podcast-marcus-allen-part.html. It's perfectly possible, after all if NASA can fake men on the moon, robots on Mars shouldn't be a problem; they don't even have to worry about private individuals with telescopes any more. Why would NASA fake data from Mars? Perhaps because they're trying to cover up evidence of life there. Richard is also changing his strategy to one much more proactive than reactive and he wants to set up his own free energy research project, see: http://www.richplanet.net/starship_main.php?ref=203&part=1. There are a few existing ones of these like Dr Steven Greer's, but this is not to be trusted, see: http://www.siriusdisclosure.com/orion-project/energy-solutions/. Michael Tellinger has just emailed his list with an announcement of a free energy discovery; hope it's the real thing, but either way the more people who research this subject the better.

Richard received a well-earned cheer at the end of his lecture. At the time of writing his tour is still underway so do go and see him if you can: http://www.richplanet.net/events.php. Although we have definite differences of opinion, Richard is somebody I really respect and we need more like him if we're going to see the end of this New World Order... and we are. It was getting late by the end of the event and Ustane and I had to catch a bus so we couldn't stay around to talk to Richard, Andrew or any of our other friends who had travelled there. As we left the Belgrave Rooms we saw Jenny Kleeman interviewing a member of the audience. We walked quickly on by.
See here for the latest HPANWO Voice articles: http://hpanwo-voice.blogspot.co.uk/2015/04/disclosure-champagne.html.

Wednesday 7 January 2015

Area 51 Alien Interview- New Research

The following was posted in the YouTube description box of a video uploaded on the 4th of January 2015 by the user "JennyArea51Insider":
My name? My name is... it doesn't matter; just call me "Jenny". I was a scientist working for... actually I'm not a hundred percent sure WHO I was working for. The truth is, I was originally a scientist at an average pharmaceutical company laboratory. One day somebody in a dark suit who didn't introduce himself came to see me and said I'd been "selected". He offered me a job with five times my current salary, no questions asked; well, I jumped at it on the spot. I had to sign any number of secrecy papers, but I didn't stop to read the small print. My mortgage was year in arrears, I was about to lose my house, my husband was threatening to run off with the kids; what would YOU have done!? I travelled to work every day from Las Vegas McCarren International Airport on a Janet plane to the airbase you know as "Area 51"; I won't tell you its real name. From there I got on a bus without windows and a dark curtain over the driver's cab and we drove a few miles to... somewhere nearby, don't know in which direction exactly. It was underground, don't know how deep; it took three minutes down in a lift, that's all I can tell you. No stairs, no fire escape. Armed security guards in masks everywhere! Guns pointing at you every second! I can't give you too many details about my job; it might reveal my identity and that of others. But basically I had to do tests on these... things... creatures; I don't know what they were or where they came from, but the word is our employers have their spacecraft in hangers at ground level. The creatures were kept on the deepest level of the basement. Little short, spindly humanoids. They were grey-coloured and had wrinkly skin, almost reptilian. Their eyes!... Oh my God! They were like huge black holes! And if you looked into them it gave you the strangest feeling, like they were reading your thoughts. I had to analyze what they called "blood" and "skin", but it was nothing like that from any animal I was familiar with. I don't know if they were there of their own free will or they were prisoners. Some of them died and once or twice we did a post-mortem. I had to film them with a camera. At the end of the examination we always stored any film, photographs and documents in a special vault with an electronic registry system for checking items in and out. Anyway, yesterday after one of these examinations, I had to stow the film and the registry computer crashed just after I'd scanned the film in. It failed just in time before the door on the vault shut, so it was left hanging open. I suddenly realized that as far as the records were concerned the film was filed correctly with the door sealed, but in fact it was still in front of me with the door open... if I took it out, nobody would know. I never planned this, honestly! The thought never even crossed my mind before! The idea just suddenly popped into my head and I acted instinctively. I knew I had to hide it because our pockets and bags are searched and scanned. The film was on a very small mini-disk so I ripped a hole in my stocking and shoved it into my shoe. I pushed it down so it was under the arch of my foot and walked off. I could feel it there, digging into the sole of my foot. I hoped that the leather of my shoe would shield it from the body scanner we have to go through when entering or leaving the complex. God, I was scared, because if it wasn't hidden alright I'd be caught red-handed! People on the staff just "disappear" every so often and rumour has it they're not just sacked. But it was too late to turn back! Whew! The scanner didn't buzz. I tried hard to look and act normal as we went up in the lift to the big enclosed car park where the bus picks us up. When I got off the Janet at McCarren I almost fainted with relief. Anyway I didn't go straight home but used a library many miles away in another town; don't want my home computer to be traced. I've never had a YouTube account before but it was easy to set one up anonymously. I had to convert the files because they're in some very weird format, but I managed to do it and so what you're seeing here is what I filmed. I think the world has a right to know what's going on in secret deep below Area 51!... See here for the video: http://www.youtube.com/watch?v=_kO73W6Gr_Q.
The above makes disturbing reading. It's similar to what has been posted many times all over the Internet almost since the World Wide Web began. You may be wondering who "Jenny" or "JennyArea51Insider" is and whether her story is real or not; let me tell you right now that is it not real. "Jenny" doesn't exist; I invented her myself and completely made up the story you've just read. The video link is one I corrupted which is why it's blank; don't worry it wasn't taken down by the CIA before you got the chance to watch it. But if I can do that so can many other people, and indeed they have. Normally accompanying these angst-ridden blurbs are the videos themselves; I've found several hundred on YouTube of varying degrees of quality and persuasiveness. The most well-known is Ray Santilli's notorious "Alien Autopsy", now completely discredited; but it's not the only one by far. However most of the others are more recent and, as I say, fairly unconvincing. There are exceptions though. I'd say generally older videos are more likely to be the real thing; though not always of course, as in the case of the Santilli film. The reason I trust the old ones more is because of the lack of very good and easily accessible special effects that is the curse of the modern age; what I whinge about here: http://hpanwo-tv.blogspot.co.uk/2011/06/fake-alien-videos.html. This inundation of home Photoshopping has caused major obstacles for serious paranormal research; there is now a catastrophic signal-to-noise ratio problem in UFOlogy. It's sad because some of these videos could be real, but how can we possibly sort the wheat from the chaff? I can walk down a high street in Nairobi and purchase a software suite, for an affordable price, that will give me the ability to create realistic imagery that it is virtually impossible to prove as fake. Photographic evidence simply does not carry the same weight that it used to. It's a shame because if my fictional character Jenny has counterparts in real life then what would they do? Send their film to the press? No, she'd suspect the package would be intercepted. She would want to be able to publish the evidence herself, instantly, to the maximum possible audience. The chances are that a real person in that situation would indeed upload the material to YouTube and other similar video sharing sites. Of course these video sites usually have comments boxes under each video and how would they read?: "Another fake", "Total BS", "Fake as Jordan's tits!", "Pwned!" "Get a life, m8", "not another one!". Therefore the people who make these fake videos are doing genuine investigation a great disservice. Poor Jenny would become the ultimate little boy who cried wolf, through no fault of her own.

The timing of the release of the Santilli film in May 1995 could be significant, for reasons I'll detail later. It was a sensation across the world and in August a US network documentary was broadcast all about the film which achieved massive viewing figures, see: https://www.youtube.com/watch?v=qyh36fQf7p8. The high public approval of the film was not reflected within the UFOlogical community. Very few experts thought it was real; most were either on the fence or denounced it as a fake, including Philip Mantle who has written an essential and definitive book on the subject, see: http://www.roswellbooks.com/autopsy/. It didn't take long before gaps and inconsistencies emerged in the film and Santilli's story, and his small cluster of supporters began to drain away; but it was not until 2006 that Santilli eventually made a full confession. This was timed to coincide with the premier of the Warner Brothers feature film all about him, Alien Autopsy, staring Ant and Dec, see: http://www.imdb.com/title/tt0466664/, but that was eleven years later. Throughout the intervening decade if you said "alien autopsy" to anybody, almost all of them would immediately think of the Santilli film. However during that entire fame, fortune and media furore a second similar incident took place that received a fraction of the publicity, in fact today it is virtually unknown outside the UFO community. On Friday July the 26th 1996, a man phoned the Los Angeles offices of Rocket Pictures, a film and TV production company, and claimed to be in possession of a VHS cassette containing taped footage of an extraterrestrial being. The man called himself "Victor" and gave no further information about himself. Rocket Pictures asked to see the tape and Victor sent them a copy, not the original. After viewing it they asked Victor if he would be willing to be interviewed; he agreed, but only under very stringent protocols. Victor went to extraordinary lengths to withhold his identity; he wore a wig and a mask over his face, and he was shot in silhouette. He also used a sound modulator to disguise his voice. He insisted that the interview be scripted with a list of questions he had to approve first. He revealed that he had been present at Area 51 a short time before; Area 51 is a highly secret military compound in Nevada USA rumoured to be the location of covert government UFO research. However he wouldn't say what his job there is, or whether he was an employee, contractor or visitor; only that he had cause to be present on the base for whatever reason. His demeanour is very sullen and irritable; one gets the sense that he feels frightened and insecure. He speaks slowly and carefully, as if contemplating his words in advance. He chides the interviewer several times for deviating from the script and at one point walks out of the studio and has to be coaxed back. He gives a few details about how he managed to get hold of the recording. The film archive at Area 51 was all being transferred from video tape to digital disk and during this process some of it was inadvertently mislaid in the incorrect data system and this was how it came into Victor's possession. The film itself is silent; Victor says that the original does have a soundtrack, but that he removed it from the copy because he's concerned that it could disclose the identities of the people featured. The film is two minutes and fifty-five second long and is filmed from a single static camera on a continuous shot. The location is very dark and only a few small lights appear to be lit. In the foreground two people sit with their backs to the camera, half in and out of frame on each side. In front of them is what looks like table on which are laid some unidentifiable objects; although one of them is clearly some kind of electronic display which has a pulsating blue-white light. Another object is set to the right of the table that looks like it might be some coat hangers, although that resemblance is probably spurious. The background is completely black and only two squares of light show which might be TV screens or windows. It is later revealed that they are actually reflections from light sources behind the camera on a glass partition that is placed between the people and the table. A spotlight is shone at the end of the table revealing an unearthly creature with a large bulbous head and huge black eyes. Its skin is orangey brown or terracotta in colour. Its lower face is diminutive and seems to consist of just a snout with a small mouth and no lips; no nose is visible, although it turns out later that the being has a small one. The entity's shoulders are visible and they are very small in proportion to its head by human standards. The being moves its head smoothly at first as if looking around itself, but then it slumps over; I get the feeling it is sitting on a chair of some kind. It starts throwing its head around it fast jerky motions. The pulsating light on the device on the table changes its rhythm, giving the impression that this is some kind of medical monitor to which the being is hooked up, although it doesn't resemble any conventional vital signs monitors that are used in hospitals. The creature opens and closes its mouth over and over. It appears to be in distress. The two people in the foreground begin moving around too, as if concerned for the entity's wellbeing. Then two men emerge from the background dressed in surgical scrubs, hats and masks and medical gloves. They appear to be doctors and they begin holding the being's head and examining its face with penlights. It's hard to be sure, but it looks as if red liquid is issuing from its mouth and a part of its face which is where a nose would be expected to seen; one of the medics definitely wipes the creature's mouth with a cloth. On the bottom of the frame is printed DNI/27 and next to it is a time code which is set at 04:00:18 at the start; yet there are second fraction digits too, like an athletics stopwatch. It's not clear whether this indicates an elapsed time or the time of day. Victor says that "DNI" stands for "Department of Naval Intelligence"; however there is no such organization, at least in the United States. There is an Office of Naval Intelligence. Unless the "Department of Naval Intelligence" is a codename for part of the black budget world.
Victor explains that this is actually an "interview" in which the scientists on the project sit the alien being down and ask it questions. He describes the footage as late in a series of films made in a laboratory at "S4", a super-secret facility within the already top secret Area 51 base. S4 is alleged to be subterranean and lie underneath Papoose Lake, a dry lake bed south of Groom Lake where the main "Dreamland" base is and another witness, Bob Lazar, has already gone public about his service there. There are a number of aliens living at S4, whether as guests or prisoners, nobody is completely sure. The reason there's a glass partition is because it is actually a window; the alien is sitting in a separate room which is hermetically sealed to protect it from infection. It is very sensitive to terrestrial microbes. The being can't speak but can communicate telepathically and so a human with psychic abilities, termed a "telepath", needs to be present to interpret the being's thought forms into human language. There are a number of researchers sitting on the near side of the partition along with the psychic. Behind the camera there are allegedly a number of other seats. The entity being filmed has been at S4 since 1989 and so we can date the time of the interview between that year and 1996 when Victor went public. Once or twice a month the researchers carry out these "interviews" for a few hours; if they try to any more often or for longer periods the alien becomes unresponsive. Victor describes this programme as having limited success. Translation of its thoughts via the psychic is not always reliable. When it comes to scientific subjects communication often breaks down; the project's experts think this is because humans are not capable of understanding the advanced level of knowledge that the being's species has achieved. Interestingly the entity finds it easier to share information on spiritual concepts like the nature of the soul, life after death and reincarnation. It regards the body as a temporary material vessel or container for an eternal aetheric spirit; a common concept in many of the human world's religions. The reason the laboratory is so dark is because the aliens can't stand bright light. Their meagre build suggests that they evolved in a habitat that has a weaker gravitational field than that of the Earth and the creature did strike me as finding it difficult to hold its head upright. It can breathe our atmosphere with difficulty; this may well be one of the reasons these creatures suffer from so many health problems. Victor says that the emergency response from the medical team is far too slow and that the physicians chosen for the project tend to be selected on the grounds that they're unlikely to spill the beans rather than for their professional competence. Rocket Pictures decided to ask some special effects and movie props designers for their opinions. These were divided over the issue; some denounced it immediately as fake and Academy award-winning Rick Baker said unequivocally that the alien was a puppet with an operator sitting behind it in the dark moving it with his hand inside the head. However renowned image analyst Jim Dilettoso said that he couldn't work out how this effect could have been made. TV make-up expert John Criswell is more cautious, but still concedes that special effects couldn't explain everything and that if it were a fake, it was extraordinarily good. Like Rick Baker he believed that the darkness of the scene was used to hide a puppeteer or marionette strings. The viewpoint of those with a UFOlogist persuasion was similarly mixed. Robert O Dean, a former NATO intelligence expert was very upset by the video to the point that he wept; he's has a reputation on the scene for being an empath. Abductee author Whitley Strieber said "I hope to God it's fake because if it's not it makes me ashamed for mankind!" The Skeptics will love this, but Rocket paid Victor a considerable amount of money in rights for their use of the footage. Victor is unrepentant. He is aware how the money angle will be interpreted by detractors, but he has endangered not only his career but also his life; he needs a degree of financial compensation and also the funds necessary to protect himself should the authorities attempt retribution against him. Rocket eventually produced a TV documentary about the Interview, presented by the actor Steven Williams who played the black "Mr X" in The X-Files; it includes a complete and uninterrupted playback of the footage under question at 31.35, see: https://www.youtube.com/watch?v=XNtg7M4nqt4. A few weeks later Victor was interviewed by Art Bell on Coast to Coast AM, see: https://www.youtube.com/playlist?list=PL413F395E60653660. Victor's strategy is very different from other Area 51 whistleblowers like Bob Lazar and David Adair. These men chose to reveal their identity completely and hoped that nobody would dare to open fire in the middle of a crowd of people who knew who they were. There is sound logic behind this; if Bob Lazar had suffered any kind of illness or injury, or if he had committed suicide, after he came out, it would prove him right in the eyes of many. It would therefore be counterproductive for the authorities to carry out any kind of violent retaliation against Lazar. Far better just let him ramble on and hope as few people as possible took him seriously. Victor aggressively maintains his anonymity and this has its risks. If he were to "fall under a bus", so to speak, nobody would know. All that would happen is that people would stop hearing from him and he would vanish. However Victor is careful to state in the documentary that he has made plans in case that should happen, for a "dead man's trigger" to ensure that the nature of his demise would be not be silent. I imagine he hopes his former employers were all watching.
The reaction to the Alien Interview was comparatively negligible outside the world of UFO and conspiratorial interest groups; as I said the Alien Autopsy was enjoying the limelight, as well as having to endure burgeoning scepticism and Skepticism. Research into the Interview failed to turn up any further clues. Victor remained untraceable, unidentified and enigmatic; nobody knew where he was, or even if he were alive or dead. The best UFOlogists have the abilities and tenacity of Chandleresque detectives and can usually shake some information from the tree, even if it is ambiguous and disputed, as they very swiftly did with the Alien Autopsy; but the background to Victor and his story remained completely nebulous. For a while there was some speculation that Victor was actually Whitley Strieber, but that was quickly discounted. During his 1997 Coast to Coast interview Victor declared that this would be his last ever public appearance. After the initial video analysis no further progress on the study of the Interview footage was made until over seventeen years had passed, as I'll detail later. However, in June 2008, totally out of the blue, Victor once again contacted Rocket Pictures asking for a new interview and demanding further payment for it. This time the interview was outdoors. The host picked him up in a car and they drove to an isolated lay-by out in the country. There were some theatrics to Victor's disguise this time; he wore a comical rubber mask of the American statesman Donald Rumsfeld and carried a back-scratcher in his hand. Eleven years had done nothing to lighten his mood; on the contrary, he sounded more frightened and belligerent than ever. He was very unhappy about his feature on Coast to Coast and regrets getting involved. He is highly critical of Rocket and their treatment of him. He also very vocally rebukes the UFOlogy community for what he sees as their lack of proper investigation into the matter, unfairly I think; and for their selfishness and egotism in promoting themselves personally. It's strange because Victor expresses both annoyance at people for not debunking his video at the same time that he boasts about how nobody has managed to debunk it. Later on in the interview Victor becomes unwell; he begins panting and spluttering. He pauses and bends down, in an appropriately similar manner to the alien in the footage. He then goes on to talk about figures in government who are behind the UFO agenda. Victor says that Dick Cheney, who was the vice-president at the time, knows everything. Donald Rumsfeld was a "bombastic clown". This is interesting regarding Victor's disguise; is it implying that Rumsfeld was nothing but a pawn having his back scratched by those higher up who know everything? He regards President Bush as an ignorant puppet; perhaps today President Obama is the same. He then says that his "container has reached its expiration date" which implies in the alien context that he is terminally ill. Then in a chilling tone he predicts the end of the world very soon, but doesn't elaborate how this might happen. He does tell us that it will happen before the year 2017 and that it is directly connected to the relationship between human leaders and the aliens at S4. Victor ends with a quote from the 1st century Greek philosopher Strabo which sums up his mindset at the time: "When I am gone let earth and fire mix, it will mean nothing to me." Rocket released the new interview as part of a special edition DVD which includes both the original 1997 documentary and the 2008 interview, the edition linked above, plus bonus features. It received moderate and limited attention; after all it's just one more alien autopsy film, right?
That was pretty much where the situation remained for the next five years; still nothing more surfaced; Victor's latest appearance led nowhere. If his self-prognosis is correct then he must have passed away quite a while ago. Then in 2013, from across the Atlantic, Andrew Burlington a man from London began releasing material onto YouTube that reawakened the debate. Operating under the webname "Victor Nevada", Burlington uploaded a series of multiple videos to his channel TheAlienInterview, see: https://www.youtube.com/user/TheAlienInterview. I was contacted personally by Andrew Burlington and he sent me a special DVD of additional material that has contributed to this article. After a painstaking frame-by-frame analysis, the first thing he points out is something missed by Jim Dilettoso, John Criswell and Rick Baker. The eyes of the being in the video change shape; they're not fixed as they would be on a dummy, but dilate and contract as if the creature has working eyelids. I'm not sure if this means the being is capable of closing its eyes like a terrestrial vertebrate can, but it does appear to have some kind of musculature in its forehead and eye sockets. This kind of effect can be simulated in a model using robotic attachments called "animatronics", rather like the model of the girl's head in the movie The Exorcist; but this is extremely difficult to do properly and very expensive, especially if the effect is to be believable. It's beyond the capabilities of anybody but a professional film studio. When the medics bring out their penlights we see the creature's shoulders, upper arms and torso for the first time and it appears to be able to move those too, albeit very feebly. It shrugs its right shoulder slightly when the man lays his hand on it. Burlington has also confirmed the presence of the red fluid issuing from the entity's nose and mouth. The eyes move when the medics shine the penlight into the them too, as if the creature's eyes are reacting to the sudden increase in light. It also appears to have reflexes that respond to the environment around it. The movement of the mouth is also more pronounced than was previously thought. The researcher Sean David Morton found the electronic instrument with the pulsating light interesting; the pulse changed at exactly the right time as the creature became distressed. This would be hard to synchronize if it were a puppet. If this device is some kind of medical monitor for the being's heart, or whatever else it has that might be similar to a heart, then it responds directly to every change in the creature's condition. Jaime Maussan showed the footage to a cardiologist who agreed that the film was real for that reason; if the being were a puppet how could the operator synchronize their own movements with the light pulse? I wrote to Sean David Morton while preparing this review and he comments thus: "I was there at the START of the STORY! I am convinced the film is COMPLETELY REAL, and even those who thought it was not, said that even a HOAX this good would cost hundreds of thousands of dollars. THE HEART MONITOR IN THE BACK IS THE KEY! It has an ALIEN HEARTBEAT and is PERFECTLY SYNCHED with every action on the screen". Burlington also picks up on an error made by Dilettoso in the first investigation. Dilettoso claims that the original footage, which the video was copied from, was shot on film; this contradicts Victor's statement when he said that the film was all digitally recorded onto video tape. The reason Dilettoso thinks this is because of the two square lights in the background. He says that these are TV screens and if a video shot includes a TV screenover you get an effect of "Moire patterns", radiating interference lines on the image. I would ask firstly why he assumes these square lights are TV screens. I can't tell what they are; my first thought was that they were little windows. But even if they were TV screens, Burlington has spotted another problem. When the medics burst in you'll see that one of them moves in front of one of the "screens". The only way this is possible is if the footage is being shot through a glass panel and the square light is actually a reflection off the glass of something behind the camera. If so then this would back up Victor's testimony because he did say that there was a glass partition between the place of filming and the chamber the containing the alien. There's also a tantalizing link in the appearance of the alien itself. According to some leaked documents discovered by Tony Dodd, the South African Air Force shot down an unidentified flying object on the 7th of May 1989. This object came to grief in the Kalahari Desert just over the border in Namibia and it was secretly salvaged by the military; and then transported to the United States, the inevitable end to any such event it seems. The craft had two alien beings on board whose description match the creature in Victor's film, the terracotta skin, the big black eyes, the gourd-shaped head with bulbous protrusions at the back and sides. Burlington has also found marks on the head which could match the injuries sustained during the crash, as the South African documents reveal. This could also explain the entity's poor health. What's more Victor said that these creatures arrived at S4 in 1989, the same year as the Kalahari crash. It could be argued that Victor made the story up by getting his information from simply reading Tony Dodd's book, Alien Investigator, where Dodd first reveals this information; the only problem is that this book wasn't published until 1999, three whole years after the Alien Interview tape came to light. One of Burlington's most significant breakthroughs is something that might appear very obvious, he brightened up the image. It amazes me that Dilettoso didn't think of that, not least because it is the image in Dilettoso's own studio, screenovered in the 1997 documentary, which formed the data source for Burlington's research. This makes me suspicious of Dilettoso; how incompetent can one be by accident? Or was he censored? What Dilettoso and Burlington have both done is brighten the image enough so that some features that are normally shrouded by darkness are now visible. We can see the upper body of the creature quite distinctly as well as the edge of the table, the pulsating light instrument and more of the other equipment on it. We can see that one of the people sitting in the foreground has a patch on their sleeve and an epaulette indicating that it's a military uniform. However, most important of all, we can see no other people in the scene. Rick Baker said that the alien is definitely a large glove puppet, so where's the puppeteer? There is nobody sitting behind the being with his hand inside operating the head. There are no marionette strings; none can be seen at all even when the medics enter and shine their torches around the place. What's more the medic's bodies would probably interfere with the strings even if they were there. So, as Sherlock Holmes said: "when you have eliminated the impossible, whatever remains, however improbable, must be the truth."
For me the major smoking gun is the lack of confessions; again it's worth comparing Victor's Alien Interview to Ray Santilli's Alien Autopsy. As Philip Mantle details in his book, once the UFOlogists turned their prying eyes on the Autopsy film and its background, it didn't take long for Santilli's cards to fall to the table. The special effects designer, John Humphreys, whom Santilli had employed to build the fake alien body and props, came forward (he was also approached by Warner Brothers to work on their 2006 Alien Autopsy movie, what irony!), as did the butcher who supplied the meat that made up the dummy's innards. Almost as soon as the film had hit the screens a businessman called Spyros Melaris told Mantle that he had funded and organized the whole enterprise. If, shall we imagine for a moment, the Alien Interview video was also faked, why has the same not happened? The making of such a production must have been at least as intricate, expensive and demanding as the Santilli film. They'd have to find a rich investor to fund the project, a location big enough to build a studio and secluded enough not to arouse suspicion from neighbours etc. You'd need a large team of designers to build the puppet; a far more elaborate affair than the one Santilli laid out on that table in Camden Town. This had to move, it needed animatronic fittings. There were props like the light pulse machine and the screens. There were the costumes, Victor's disguises and medical uniforms. The cast of at least five people, as opposed to Santilli's three, would have had to rehearse many times and it would only have been after a number of takes that they could have got it right. So where are they? There must have been a considerable number of people involved; why have not one of them spoken out? It really is a baffling conspiracy of silence when you consider how lucrative the "I fooled the world!" meme is nowadays. It has certainly set Santilli and Shoefield up for life. This means that a large group of people are not only sitting on a secret, they're sitting on a goldmine. Why? As John Criswell admitted, the designer of the puppet could have got a job in Hollywood easily; why haven't they? Or maybe they have; in which case they'd want an achievement like the Interview on their CV. And weren't they tempted at some point to brag about it to one of their chums at a drunken late night party in Beverly Hills? The world of the movie special effects industry is not a community of millions; most people in it must know most others. Could they really keep a secret that big? No, nothing has come out at all about the Alien Interview; nothing but a stunned, dumb, curious silence. Despite all the investigations not a single clue has been so much as glimpsed that might expose the hoax. On the contrary, all the research so far has led in the other direction, towards the likelihood that the video is genuine; it really is a film of an alien, and it really was smuggled out of Area 51 just like Victor said it was. So if this is a real alien video what does that mean? We've pretty much reached an impasse; where do we go from here? All we have are the words of "Victor": electronically altered, anonymous, evasive. And the video itself: mute, enigmatic, provoking. This stalemate is really caused by the governments of the world's policy towards UFO's; they're to be kept secret from the public at all costs, classified higher than the H-bomb, as Wilbert Smith said. Progress to reveal the truth about the Alien Interview must now be part of the greater strategic effort to gain full Disclosure on everything to do with extraterrestrials, see: http://hpanwo-radio.blogspot.co.uk/2014/11/programme-113-podcast-stephen-bassett.html. New information is emerging every day, like the recent revelations of the old man known as "Agent Kewper" who mentions S4 and the aliens there, see: http://vimeo.com/64939351. In the face of all this the authorities obstinately stick to their story: "Thank you for signing the petition asking the Obama Administration to acknowledge an extraterrestrial presence here on Earth. The US government has no evidence that any life exists outside our planet, or that an extraterrestrial presence has contacted or engaged any member of the human race. In addition, there is no credible information to suggest that any evidence is being hidden from the public's eye." (Source: http://www.paradigmresearchgroup.org/main.html) In order to maintain such a simple and brazen falsehood it's likely that the government uses a full spectrum of espionage and psychological warfare. This includes disinformation, the positive seeding of inaccurate and deceptive material to distract and confuse the target. This inevitably brings us back to Ray Santilli's Alien Autopsy. According to Philip Mantle, Santilli was something of a wheeler-dealer who simply wanted to earn a few bob. He had no interest in UFO's and the paranormal; he just thought that the mythology of Roswell was a lucrative market to exploit. Mantle knows Santilli and doesn't suspect him of any deeper wrongdoing. I've never even met Ray Santilli and have no direct evidence at all to suggest what I'm about to, but I offer it as a vague hypothesis based on circumstantial evidence. You might have noticed it's something I've been hinting at throughout this article. Is there some way the Alien Autopsy film was created as a piece of disinformation? Or if not created, does it owe its success to an intelligence operation streamlining its path to publicity because it happened to be the right kind of material to use as disinformation? For what purpose? For the purpose of distracting and repelling people from the Alien Interview, and possibly other similar real alien videos. You might wonder how this is possible or how that would work. It's easiest to understand if you pretend for a moment that the Alien Autopsy film had never existed; the chances are that the Interview would have received far more attention from the media and the public. Instead it was drowned out by the clamour of hype surrounding the Autopsy. The Autopsy was patently bogus; everybody with any knowledge on the subject worked that out very soon after day one. However as the slow, sweet, agonized train wreck of its demolition took place under the floodlights and TV cameras of the world a very important cultural and psychological concept was being implanted in the collective human mind: a simple equation: alien video = fake video. This meant that the few members of the public who did encounter the Interview would have turned away without a second look; "It's alright Marjorie, it's just another of those silly contrived space alien things students get up to, switch over to the EastEnders would you?" The people of the world could have had access to a really interesting and... yes, I'll say it... probably genuine video of a secret interview with an alien, and instead they got a transparent farce of a rubber mannequin filled with offal and two amateurish fools in beekeepers suits plodding round it. At this point somebody is probably getting ready to leave a comment explaining to me an obvious flaw in my hypothesis, that the Autopsy was released a year before the Interview. How did the instigators of the disinformation campaign know in advance that the Interview was about to emerge? Well, in that case you assume the Interview footage was stolen very soon before Victor's debut. I'm sure the authorities didn't know when, or even if, Victor was going to go public with his scoop, but they may well have already known that the footage was missing and that Victor had absconded; they would therefore have feared exactly what was about to happen and taken precautionary steps in advance to mitigate its impact. We don't know how long Victor had been sitting on his secret before he called Rocket Pictures; perhaps for over a year. What's more I suspect that the Autopsy might have been made not only specifically to cover up the Interview, but also to be ready in case other similar materials were leaked. A few years before the Autopsy came out the Cold War ended. Despite all Mikhail Gorbachev's efforts to restructure it, the Soviet Union collapsed; it was formally disbanded in December 1991 at which point the KGB, its famous intelligence service, was closed forever. The authorities knew very well that within the KGB's vaults lay millions of highly classified files relating to all kind of sensitive subjects, including UFO crash-retrievals that had taken place over the years in the USSR's vast territory; like this one which I think is very persuasive: https://www.youtube.com/watch?v=0JAtIzZy0H0. They knew very well that the haemorrhage of these files was impossible to stop in the chaos of the transition to the new Russia and that all that information would end up on the black market where anybody could get hold of one of the files for the right price. The motivation for the Autopsy might have been to head that problem off at the pass. This year marks the twentieth anniversary of Ray Santilli's Alien Autopsy film and a number of events have been planned to commemorate it, including new books, films and public meetings. This could be an opportunity for the Alien Interview to reclaim its rightful place, one that the Autopsy usurped, after all it's only one more year after that for the Interview's second decade (hopefully Victor is wrong about his Armageddon). Or will the original distracting hype about the Autopsy simply be refreshed for a new offensive? The new Disclosure attempts by Stephen Bassett and others, see radio show above, could make it a vital tactic against us. There's no way to know for sure now, but I'm interested to find out and hope very much that the Alien Interview's time is come. Thanks very much to all the researchers involved, especially Sean David Morton and, more recently, Andrew Burlington. See here for related information: http://hpanwo.blogspot.co.uk/2014/01/alien-autopsies.html.